MARY MCINTYRE<\/strong>, born 1928, Auckland
A self-taught painter, McIntyre has been a full-time artist since 1980, and is well-known for her realist works in which she creates ambiguous, often surreal, narratives. One of New Zealand\u2019s foremost realist, figurative painters, she has a reputation for producing works that defy political correctness and usually contain barbed humour or shafts of discomfort.<\/p>\n\n\n\n

Her knowledge of and interest in musculature and anatomy has been lifelong and she has the ability to render portraits with accuracy, capturing the essence of her models, particularly when she knows them well. She frequently paints herself as the protagonist in her works, the first such series being \u2018Identity Parade\u2019 in which she superimposed her face on the muscular figures of posing body builders. Over the years, we have observed her progress through life, from young bride to grandmother, in a string of works in which she has used herself as model.<\/p>\n\n\n\n

McIntyre\u2019s paintings depict with honesty what she sees. Through her own portraits we watch the aging process as she documents it. Her paintings of nudes do not conform to the \u2018ideal\u2019 stereotype of the lithe, young model, but portray women of all shapes and sizes. Her vision is clear-sighted. Sexuality is a recurring theme in her work and, she believes, is an under-acknowledged and important influence in our lives.<\/p>\n\n\n\n

McIntyre\u2019s 2002 exhibition in Auckland was ambitious and successful. It included a painting divided into almost 100 separate, stand-alone images, many of which in some way spoke of her life. Hanging from the ceiling was another \u2018multiple\u2019 work, comprised of exquisitely drawn images set in plastic envelopes. The paintings, brought together from different periods in her life, showed a history of strong, uncompromising imagery with that unmistakeably McIntyre sense of humour.<\/p>\n\n\n\n

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GALLERIES<\/strong>
Whitespace, Auckland<\/a><\/p>\n\n\n\n

LINKS<\/strong>
Article by Stephen Stratford, April 2010, in Quote Unquote<\/a>
Head to Head opening<\/a> National Portrait Gallery of New Zealand, April 2010
\u2018Drawing Room and Ballroom\u2019<\/a> 2011 exhibition at TSB Bank Wallace Arts Centre, Auckland
McIntyre paintings in the Auckland Art Gallery collection<\/a>
Interview with Mary McIntyre<\/a> by Riemke Emsing, on Cultural Icons website<\/p>\n\n\n\n

SELECTED BIBLIOGRAPHY<\/strong>
Art New Zealand 30 \u2018The Team McMillan Ford Art Award\u2019, Beverly Simmonds, 1984
Content\/Context (catalogue), National Art Gallery, 1986
Art New Zealand 51, \u2018Mary McIntyre\u2019, Michael Morrissey, 1989
A Concise History of New Zealand Painting, Michael Dunn, David Bateman Ltd\/Craftsman House, 1991
Art New Zealand 69, \u2018The Male Nude\u2019, D H Binney, 1993
100 New Zealand Paintings, Warwick Brown, Godwit Press, 1995.
Art New Zealand 75, \u2018Mary McIntyre\u2019, John Daly-Peoples, 1995
Contemporary New Zealand Art 4, Elizabeth Caughey and John Gow. David Bateman Ltd, 2005
\u2018Mary McIntyre, Painter\u2019, Robin Woodward. Whitespace, 2010<\/p>\n","protected":false},"excerpt":{"rendered":"

MARY MCINTYRE, born 1928, AucklandA self-taught painter, McIntyre has been a full-time artist since 1980, and is well-known for her realist works in which she creates ambiguous, often surreal, narratives. One of New Zealand\u2019s foremost realist, figurative painters, she has a reputation for producing works that defy political correctness and usually contain barbed humour or … Read more<\/a><\/p>\n","protected":false},"author":1,"featured_media":557,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9],"tags":[],"class_list":["post-536","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-artists"],"yoast_head":"\n