Philip Trusttum


Reviewed by Ariana Te Rangi
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PHILIP TRUSTTUM, born 1940, Raetihi.
Graduated Diploma of Fine Arts, University of Canterbury School of Fine Arts, 1964

Trusttum is one of New Zealand’s leading figurative, expressionist painters. He has always been driven to paint and his output has been prolific and dynamic, reflecting his personal energy and enthusiasm. His masterly sense of colour applied with energetic expressionism conveys the passion he feels for painting, yet out of the joyful chaos of colour and imagery there is clearly a visual order, a demonstration of his unquestioned ability to create satisfyingly balanced works. Trusttum works on a large scale, painting on unstretched canvases as they lie on the floor of his shed/studio, and frequently rolling up unfinished works to store for future completion.

Since the early 1970s he has depicted his experiences and situations from everyday life, often translating realist symbols into semi-abstraction. His series have been inspired by activities to which most viewers can easily relate, such as renovations, chess games, horses, his wife’s dressmaking, Japanese masks and tennis, a game he greatly enjoys. In the latter series, his technique was to move the viewer close-up to the game, and to let them see it as if from the viewpoint of the player (or the ball!) rather than the spectator. Using details from different components of the game – the net, sole of the shoe, brand names from the clothing and racquets, the racquet strings, the lines on the ball – he created patterns within his paintings which conveyed its energy, power and speed. This patterning, at times reminiscent of indigenous art, is a distinctive feature of many of his series.

During 2004, Trusttum exhibited paintings based on Mussorgsky’s ‘Pictures at an Exhibition’. These began as a performance collaboration with the organist Martin Setchell, and Jonathon Mane-Wheoki and were a departure from previous works in that they are less personal, relating to European myths and stories.

LINKS
Philip Trusttum
Philip Trusttum at City Art, Christchurch (with images)
Philip Trusttum on Brett McDowell Gallery, Dunedin, website
Interview of Philip Trusttum by Rodney Wilson on Cultural Icons website

GALLERIES
Whitespace, Auckland
CoCA (Centre of Contemporary Art), Christchurch
Port Gallery, 25 George St, Port Chalmers, Dunedin

SELECTED BIBLIOGRAPHY
New Zealand Art: Painting 1827-1927, Hamish Keith, P A Tomory and Mark Young, Reed, Wellington, 1968.
New Zealand Painting Since 1960: A Study in Themes and Developments, Peter Cape, Collins, 1979.
New Zealand Art: A Modern Perspective, Elva Bett, Reed Methuen, 1986.
An Introduction to New Zealand painting 1839-1980, Gordon H. Brown and Hamish Keith, David Bateman Ltd/Collins Publishers Ltd, 1988 (new and revised edition).
Two Hundred Years of New Zealand Painting, Gil Docking, Reed, 1991.
A Concise History of New Zealand Painting, Michael Dunn, David Bateman/Craftsman House, 1991.
Contemporary Painting in New Zealand, Michael Dunn, Craftsman House, 1996.
The Food of Art: New Zealand Painters and their Food, Keith Stewart, Craig Potton Publishing, 2000.
Contemporary New Zealand Art 3, Elizabeth Caughey & John Gow, David Bateman Ltd, 2002.

Rawiri Takere

Rawiri Takere

Rawiri Takere is a Māori writer, gambling harm reduction specialist, and community advocate with over 6 years of frontline experience across New Zealand. Since 2018, he has led hui, supported individuals affected by gambling harm, researched the impact of gambling on Māori communities, and examined key industry issues including NZ gambling law, RNG fairness, and bonus T&Cs. His work blends cultural insight, in-depth expertise, and unfiltered honesty in every conversation.

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